Fall of Freedom is an urgent call to the arts community to unite in defiance of authoritarian forces sweeping the nation. In response, artists are rising together - not in silence, but in music, movement, and creation - to remind us that art makes us free.

On Saturday, November 22nd, National Sawdust hosts the second and final night of Fall of Freedom’s national launch with a double-screening of FREE JOAN LITTLE and STEAL THIS STORY, PLEASE!, two films that uplift and empower by centering truth and perserverance. FREE JOAN LITTLE is the story of the landmark 1975 trial of a young Black woman who resisted sexual assault and became a symbol of justice, courage, and collective action. STEAL THIS STORY, PLEASE! is a portrait of journalist Amy Goodman, whose decades-long reporting amplifies voices routinely silenced by power and media consolidation. The evening will close with a special talkback with Amy Goodman, filmmakers Yoruba Richen, Carl Deal, and Tia Lessin, moderated by Nermeen Shaikh.

Join us for a very special listening party, celebrating the release of Meredith Monk’s newest album, 'Cellular Songs,' on ECM Records. Performed by the women of the acclaimed Meredith Monk & Vocal Ensemble (Monk, Ellen Fisher, Katie Geissinger, Joanna Lynn-Jacobs and Allison Sniffin) and percussionist, John Hollenbeck, 'Cellular Songs' features some of Monk’s most adventurous and daring writing for the voice, paired with violin, piano, body percussion and keyboard.

BlackBox Ensemble performs the U.S. premiere of PIPA BOY: Three Scenes from the Post-Diaspora by Baldwin Giang, a multimedia work for ensemble and pipa player exploring global identity and the conditions of belonging and non-belonging. The video part features collaborations with three international filmmakers. The program also includes work by Anthony Cheung, Misato Mochizuki, and Giang's song cycle butterfly, posthumously.

After years of anticipation, Mona Miari takes the stage for a spellbinding evening celebrating her comeback with her debut album and the premiere of her newest musical project. Rooted in the sounds of Arabic heritage and carried by a voice that transcends borders, Mona’s music honors the home we carry within us — the questions, the dreams, and the life that shape who we are. This concert unfolds as a journey through memory and imagination, where every note becomes both a remembrance and a revelation. Joined by exceptional artists and dear friends, each bringing their own light to an evening of profound connection and effortless artistry. Together, they create a space where belonging feels both intimate and boundless — where tradition meets innovation, and music becomes a shared breath. An experience years in the making, this performance marks a defining chapter in Mona’s creative evolution — one that promises to linger long after the final note.

On December 7, 1985—exactly 40 years ago—the BRC burst into culture with our first-ever party (“Drop The Bomb” at Linda Goode Bryant’s JAM Gallery). Now, on this monumental anniversary, we’re pulling out even more stops… To celebrate our decades-strong community, we’re inviting some of our favorite musicians, artists, and deep-cut DJs to take to the stage and deliver the genre-expansive performances we’ve been championing since our founding. Doubling as a record release party for the 5th volume of our “Rock ‘n’ Roll Reparations” compilation series, audience members will not only be the first to hear the new record, they’ll be able to see some of the most dynamic bands play those songs live.