Scheduled on the 18th anniversary of the passing of John Cage, Robert Wilson presents an appreciation of the revolutionary composer with a solo performance of his famed “Lecture on Nothing.”
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Join us for a Digital Discovery Festival special event with the celebrated playwright and stage director Robert Wilson. For over fifty years, Wilson has been on the vanguard of experimental stagework, building an awe-inspiring curriculum vitae that includes landmark artistic collaborations with Philip Glass, Mikhail Baryshnikov, Lou Reed, Allen Ginsberg and Tom Waits. For this very special event, scheduled on the 18th anniversary of the passing of John Cage, Wilson will present an appreciation of the revolutionary composer with a solo performance of his famed “Lecture on Nothing.”
Born in Waco, Texas, Robert Wilson is among the world’s foremost theater and visual artists. His works for the stage unconventionally integrate a wide variety of artistic media, including dance, movement, lighting, sculpture, music and text. His images are aesthetically striking and emotionally charged, and his productions have earned the acclaim of audiences and critics worldwide. Wilson founded the New York-based performance collective The Byrd Hoffman School of Byrds in the mid-1960s, and developed his first signature works, including Deafman Glance (1970) and A Letter for Queen Victoria (1974-1975). With Philip Glass he wrote the seminal opera Einstein on the Beach (1976). Wilson’s artistic collaborators include many writers and musicians such as Heiner Müller, Tom Waits, Susan Sontag, Laurie Anderson, William Burroughs, Lou Reed, Jessye Norman and Anna Calvi. He has also left his imprint on masterworks such as Beckett’s Krapp’s Last Tape, Brecht/Weill’s Threepenny Opera, Debussy’s Pelléas et Melisande, Goethe’s Faust, Homer’s Odyssey, Jean de la Fontaine’s Fables, Puccini’s Madama Butterfly, Verdi’s La Traviata and Sophocles’ Oedipus. “[Robert Wilson is] a towering figure in the world of experimental theater and an explorer in the uses of time and space on stage” says The New York Times.