Mark R. Taylor – Aftermaths – Teodora Stepančić (Another Timbre; 2018)
> For Alex Schady; from Moments Musicaux Book 1; Aftermaths Set One; from Moments Musicaux Book 4; Aftermaths Set Two; Lijn; from Preludes Nos. I-VIII; For Marc Hulson V; Second Nocturne; final music


Puce Mary – The Drought (PAN; 2018)


Matthew Revert/Vanessa Rosetto – Everyone Needs a Plan (Erstwhile; 2018)


Áine O’Dwyer/Graham Lambkin – Green Ways (Erstwhile; 2018)


Mary Jane Leach – (f)lutesongs – Manuel Zurria (Modern Love; 2018)
> Trio for Duo; Dowland’s Tears; Semper Dolens; Bruckstück


Wang Lu – Urban Inventory (New Focus; 2018)
> Urban Inventory – Third Sound Ensemble/Patrick Castillo; Wailing – Holland Symfonia/Hans Leedners; Backstory – Alarm Will Sound/Alan Pierson; Cross-Around – Le Nouvel Ensemble Moderne/Lorraine Vaillancourt; Cloud Intimacy – International Contemporary Ensemble/Ross Karre; past beyond – Ensemble Intercontemporain/Susanna Mälkki


Jürg Frey – 120 Pieces of Sound (Elsewhere; 2018)
> 60 Pieces of Sound – Jürg Frey, Ordinary Affects; L’âme est sans retenue II


Clara de Asís – Without – Erik Carlson, Greg Stuart (Elsewhere; 2018)


Stefan Thut – about – Ryoko Akama, Stephen Chase, Eleanor Cully, Patrick Farmer, lo wie, Stefan Thut (Elsewhere; 2018)


Philip White and Chris Pitsiokos – Collapse (Anticausal Systems; 2018)


Oliver Thurley – Network for string quartet – Alice Dawkins, Hannah Packman, Katherine Lambeth, Claudia Chapman (Soundcloud; 2013)


Eartheater – Irisiri (PAN; 2018)


Sarah Davachi – Let Night Come On Bells End the Day (Recital; 2018)


Sarah Davachi – Gave In Rest (Ba Da Bing; 2018)


Jennifer Koh – Saariaho x Koh (Cedille; 2018)
> Tocar – Jennifer Koh, Nicholas Hodges; Cloud Trio – Jennifer Koh, Hsin-Yun Huang, Wilhelmina Smith; Light and Matter – Jennifer Koh, Anssi Karttunen, Nicolas Hodges; Aure – Jennifer Koh, Anssi Karttunen; Graal théâtre – Jennifer Koh, Curtis 20/21 Ensemble/Conner Gray Covington


Kaj Duncan David & Assaf Gidron – Kjam (Love Records; 2018)


Teodora Stepančić – trio duo solo (self-released; 2018)
> for pianist and helperformer – Teodora Stepančić, Assaf Gidron; The Trio – Nataša Blagojević, Dejan Božić, Milana Zarić; #4 the guitar – Eliott Simpson, James Moore, Teodora Stepančić


Tomb Mold – Manor of Infinite Forms (20 Buck Spin; 2018)


Christopher Fox – Topophony – John Butcher, Thomas Lehn, Axel Dörner, Paul Lovens, WDR Sinfonieorchester/Ilan Volkov (hat(now)ART)


Robert Ashley – Improvement (Nonesuch; 1982)


Melaine Dalibert – Musique pour le lever du jour (Elsewhere; 2018)


Monty Adkins – A Year at Usher’s Hill (EIlean; 2017)

John Cage – number pieces (piano) – Guy Vandromme (Edition Wandelweiser; 2018. Audio sample here.)
> One (version 1); One (version 2); One5

Tom Johnson – spaces . an hour for piano – Keiko Shichijo (Edition Wandelweiser; 2018. Audio sample here.)
> Spaces; An Hour for Piano

Ferran Fages – detuning series for guitar – Ferran Fages, Didier Aschour (Edition Wandelweiser; 2018. Audio samples here.)

Rutger Zuydervelt – sileen II – Gareth Davis, Rutger Zuydervelt (Edition Wandelweiser; 2018. Audio sample here.)


Thrainn Hjalmarsson – Influence of buildings on musical tone (Carrier; due Sept. 7, 2018)
> Influence of buildings on musical tone – Caput Ensemble/Guðni Franzson; Grisaille – Icelandic Flute Ensemble/Hallfríður Ólafsdóttir; Persona – Kristín Þóra Haraldsdóttir; Mise en scène – Ensemble Adapter; Lucid/Opaque – Nordic Affect

​King Crimson – Orpheum Theatre, Boston, Massachusetts, Sept. 23, 1973 (DGMLive; 2018. Audio samples here.)

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